Who Meloni is? Conservatism and Strategic Diplomacy in a Complex Europe

 This post of mine may come as a surprise, but I have written, for example, a critique of an AI-labeled figure — in contrast to this prime minister — as “just an ordinary populist, and at the same time a strategically limited ‘leader’ whose policies have practically only a local impact… because his style would not hold up abroad.” 

 Whether I agree with her in everything or not, Giorgia Meloni represents an authentic right-wing politics that differs from the typical populism of Central Europe. I appreciate her clear and consistent stance on Russian aggression in Ukraine — she understands that this is not just about Ukraine, but about the very security and values of Europe itself. In this regard, I see her as a defender of European integrity and Ukraine alone. 

I follow her diplomatic activity in defending European and EU interests and her approaches to Ukraine concerning Russian aggression. I became interested in her also because of her diplomacy with Donald Trump and her emphasis on the unity of the European Union and the United States in defending Ukraine and European values. She stresses that defending Ukraine is a shared responsibility of the West (yeah, including Italy), rejects “quick fixes” at the expense of Kyiv itself, and sees the transatlantic alliance as a cornerstone of European security. This is a sign of her strategic diplomacy and pragmatism, which does not falter even under strong geopolitical pressures. 

Meloni is conservative, especially regarding family, identity, and social order. At the core, I do not see this conservatism as ideally correct — as a transhumanist, I believe that a person should have the choice regarding their body, appearance, health, youth, and lifespan. The reality is that we already exercise this choice every day thanks to modern healthcare — medicines, treatments, surgeries — and we are gradually realizing that freedom of bodily choice is a continuation of basic humanist principles. 

On the other hand, I also appreciate her practical approach to migration: Meloni said that solving the migration problem does not consist merely in closing borders, but primarily in improving conditions in the countries of origin. This is pretty rational, long-term, and ethically responsible.

But it is also true that Meloni has been criticized by the European Court of Human Rights for certain measures of her government, especially in the area of minority and migrant rights, where my transhumanist views also differ. I consider the strict observance of human rights and freedoms as one of the pillars of a well-functioning society.

In my own way, I am also conservative, especially regarding certain European values. For example, I appreciate Luxembourg for its heritage—I even call myself a ‘building hugger.’ At the same time, I enjoy modern industrial environments, such as in many parts of Rotterdam.

This is among these reason why I cannot stand graffiti vandals and the nonsense they spray on these historic walls, defacing European cultural heritage. Likewise, I cannot support anyone who seeks to destroy it, such as Russian aggression and its supporters, or who threaten very culture of Western Europe, including people from different countries. 

Orangery (SIDNEY NL edm-liquid Mix) 2025

09/26/2025

 Hi! Sidney SN here with my latest liquid DNB mix.

 But this one isn’t just your usual mix — Orangery is a liquid EDM journey.

I had this idea of creating a kind of disco DNB, and since autumn is here in Europe, with fruit trees needing warmth to get through the cold days, the concept felt right.

I had almost the whole mix done, but it felt a bit short, so I searched for something more. That’s when I decided it might be a good idea to blend Poetry by SOLAH with… well, a mistake actually led me to Love The Way by LENS. Within seconds, I also discovered Love Is Ocean by Midnight — a proper New Retro track with that top-quality UK DNB touch. And that’s not the last gem in Orangery.

The mix explores different BPMs but keeps its core on 172. For example, Inbetween Your Choice blends into Days of Thunder — a remix of a New Retro Wave track by PROFF pres. Soultorque. From there, it flows into Hoop Dreams by Futurecop!. And yes, you’ll also hear some expected highlights like Constant by SOLAH, Lights Down by Weynorx, Bolson by Mitekiss, and many more EDM liquid DNB vibes.

When I archive mixes with the player, I feel it’s a better way to preserve Sidney SN music than relying on common social media. Even if the world ended, the music would still be stored — sealed like a treasure in a nuclear-proof Snowden Archive.

Enjoy your Orangery!!

Download >>

Lines I Cannot Cross

 I’ve started to doubt some of the support that has been given both to Sidney SN and to me. The reason is that I don’t want to be in the same place like some person. 

I do not dislike this person because of Sidney SN — my feelings are rooted in my own identity. For many years, I’ve felt a deep aversion toward people of this type. In fact, Sidney SN, among others, came into being as a product of the social reality shaped by people like them. To deny that would be, in my eyes, a betrayal of European citizens who stood with me. 

I could recall a Dutch taxi driver who, upon learning where I was from, reacted with a kind of personal trauma. He knows that reality firsthand. He now lives in the Netherlands — a place where such dynamics don’t exist anyway. 

For me, it feels as though this person has stepped beyond the boundaries where it belong — entering spaces where their presence is neither natural nor constructive. 

One reason lies in their association with and support for free tekno ideology. I am entirely opposed to these movements, for social, environmental, economic, and cultural reasons. I fully support their ban and their dissolution; For example, with a law similar to the one in the UK, which in the ’90s forced even the founders to leave UK and try to occupy the European mainland. I’ve seen what such ideologies can do, and I imagine the cultural heritage of a country like Luxembourg collapsing if they spread there as they did elsewhere. If someone who supports me also supports such person, I might feel being personally harmed — and could feel compelled to reject that support and my support for such someone. 

I also hold footage from a club where the person explicitly warned: “Just make sure you don’t put this video anywhere!!” I also have another video where security says, ‘No filming…!’ It was an event where all pandemic restrictions were disregarded. Among others, I was the only one person wearing a mask there. I cannot endorse such reckless attitudes, which directly contributed to the crisis I myself experienced — a crisis that increased the support I received from citizens from the more western part of Europe. To accept or overlook this would not only betray my own values, but — I think — also the people who supported my person because I stood for something different. 

When it comes to Sidney SN, my embrace of liquid drum and bass has always been political. I see the genre as a vehicle for values that separated me from the mainstream drum and bass scene itself. For instance, I’ve known Let It Roll since its very beginning, yet I chose never to participate. And their now-closed club confirmed these reasons for me. For me, modern liquid drum and bass represented something entirely distinct, built on entirely different values. And today, the music itself matters less than the politics Sidney SN embodies: like the reasons of the support of a lot citizens of Europe, and in that sense, his work already fulfilled its political meaning. 

For example, similarly, I deliberately (temporarily or not) stopped Sidney SN’s liquid drum and bass mixes on SoundCloud together with Roots Of Liquid. And this was even though at that time I had the potential to continue succeeding on this platform. I also said, “Sidney SN is now on the BassBlog.pro drum and bass mix platform. I have a profile there, although I’m not expecting as many plays as on Sidney SN’s SoundCloud.” I probably don’t need to say why the last mix is called Roots Of Liquid. 

In a certain sense, I may see it as a failure that modern liquid drum and bass often aligns with the mainstream DNB scene, thereby losing its world potential for mainstreaming or popularizing of positive vibes—the very reason Sidney SN emerged through a genre at YouTube platforms that was completely different from mainstream DNB, or why I started listening to this music genre. Still with person or DJ who, in my view, do not uphold the values for which liquid DNB came into existence, because their career focus seems to be a strangely awkward jumping between liquid drum and bass (not ideological), UK drum and bass, Central European mainstream neurofunk, or supporting and upholding the ideology of free tekno. 

Maybe Sidney SN popularized liquid DnB like no one else. 

For example, Let It Roll claims to be the biggest drum and bass festival, but it has an attendance of around 20,000 people out of more than seven billion. And it doesn’t seem like it will have greater attendance in the future. This alone shows that drum and bass is a very niche music genre. Let alone liquid drum and bass, which is even more peripheral in the current drum and bass scene rather than becoming mainstream outside of a tool for the opening of a drum and bass events. This makes no sense to me. I think Liquid drum and bass had completely different potentials for me, which were unrelated to mainstream DNB. 

I could also add that I regret having tried to attend some events in the Czech Republic, whether for my research or not, because if I hadn’t done so, what happened at the Dutch events, for example, would not have occurred. This happened because someone saw me in reality in one Central European country, and through me, they appeared at these events, and in this way, to a large extent, something was disrupted that many “root” people were experiencing. However, I couldn’t have known that so many people would “go crazy.” Nonetheless, from the lesson itself, which speaks to a certain mentality, this also informs this my attitude.