Because of my relationship with techno music for instance, some people may be surprised by my attitude. But I also like EDM, Martin Garrix (Garrix also brought my person to Dua Lipa because his collaborations with Dua Lipa), Alesso, or MATTN from the female DJs for example.
What saddens me is that many things changed after the pandemic. To this day, I regret that I did not visit Tomorrowland in 2018. I see it as the peak point for EDM, and also the peak point of the time when EDM was dominant at Tomorrowland. Attendance was also at its peak.
Honestly, I am not very enthusiastic about the fact that Tomorrowland became something else after the pandemic. And EDM gave way out. It may be a case for sociologists to explain why. In practice, I no longer have much interest in visiting Tomorrowland. I wanted to experience the EDM atmosphere and community there, and that time is gone…
Drum and bass is also visible at Tomorrowland today. In the past, it was mainly the Belgian Netsky at a Belgian festival who stood out. I like Netsky. Although there may now be people performing at Tomorrowland from DnB whom I personally like, I still do not like that DnB is now common at Tomorrowland. I do not like it in relation to the EDM community and to the experiences I may never have had.
When I look at the changes at Liquicity Festival, in my opinion it is similar. 2022 was the break point, after which what came next is no longer something that attracts me. I also see some similar reasons there as at Liquicity for why the changes happened. But at Tomorrowland among these reasons is not a person :D
2018 as a Symbol of the Peak
The year 2018 can be seen as one of the strongest moments in Tomorrowland’s history. At that time, the festival benefited from the peak of EDM popularity, massive international interest, and an atmosphere that had been building throughout the previous decade. Mainstage culture, festival anthems, big melodies, and euphoric moments were still at the center of the festival’s identity.
At that time, Tomorrowland did not represent only a music event, but also a cultural phenomenon. For many fans, it meant a place where the global EDM community came together. That is exactly why, for many people, 2018 is associated with a feeling of the peak — not only in production, but also emotionally.
EDM as the Dominant Identity of the Festival
In the pre-pandemic period, for years EDM at Tomorrowland was perceived as the main language of the festival. Progressive house, big room, and the festival sound defined the character of the main stages and the overall image of the event. Names such as Martin Garrix, Alesso, Hardwell, or Dimitri Vegas & Like Mike were symbols of that era.
That does not mean that other genres did not exist. Tomorrowland was always musically broader. The difference was in what formed its dominant identity and what most people automatically associated with the festival.
Changes After the Pandemic
After the pandemic, festival culture changed, and Tomorrowland changed with it. Styles such as techno, afro house, tech house, or harder modern directions of electronic music, including neurofunk gained more space. If someone longed to experience the atmosphere of the peak EDM era, they may feel that they will never experience it now.
EDM 2018… Both weekends were sold out in about an hour. With a capacity of around 400,000 visitors across two weekends, the festival was already fully established as the biggest EDM event in the world.
