“Then a person starts thinking about existence. This is where the world begins.”
2026-04-26
Endless Dreams 2026
2026-04-24
HelloFake 2027
I have my own rough TOP 20 worldwide ranking based on median wealth per adult (typical real assets of ordinary people – the closest measure to “how wealthy people really are”). The data varies depending on methodology (UBS / Global Wealth Report), but over the long term it generally looks like this:
1. Switzerland
2. United States of America
3. Hong Kong
4. Australia
5. Luxembourg
6. Denmark
7. New Zealand
8. Singapore
9. Netherlands
10. Norway
11. Belgium
12. United Kingdom
13. Canada
14. France
15. Sweden
16. Taiwan
17. Ireland
18. Japan
19. Spain
20. Germany
What is important:
* This is not about “how much the state earns,” but how much wealth an average person actually has (real estate, savings, investments minus debts).
* That is why some countries with high GDP (for example Qatar or Ireland) are not ranked highly here – their numbers are distorted by corporations or inequality. Czechia is not there either, because Czechs are generally not as wealthy as people in those top twenty countries.
If we are talking about average income, wages, or nominal wealth, then for example Czechia is poorer than the residents of the United Kingdom or France.
The HelloSafe Prosperity Index works with data where:
* low unemployment does not rule out low wages, underemployment, or real poverty
* low relative poverty does not mean comfort
* high home ownership among the older generation does not mean affordable housing (for younger people, for example)
* PPP (Purchasing Power Parity) may suggest “good purchasing power,” but for example rent and high energy prices can completely change that paper reality
If you look at the real feeling of living standards, some countries definitely do not feel like TOP 20 richest countries in the world.
For example, the mentioned index suggests that the gap between the extremely rich and the extremely poor is not as huge in some parts of Europe as it is in the USA. Fewer extremes mean a smaller gap between social classes, while greater equality does not automatically mean a good standard of living or determine what someone with an average income can actually afford.
When it comes to living costs and wages, I calculated how much I would have left on average each month from the salary in a social services (with my practice) in the Netherlands after covering my usual, basic expenses (this is food, pharmacy, cosmetics, electricity, insurance, clothing) or maintaining a my usual “minimalistic” lifestyle. The amount would be probably €1,700 to €2300 per month, depending also on spending on things such as clothing. The upper limit of possible savings is approaching the salary of a management of a smaller social service facility in Czechia, such as a care home with around 50 clients.2026-04-22
White like the Moon
2026-04-15
Dumb and Dumber
I had an experience on a trip. During March on the journey from Brussels to Strasbourg, a French woman was sitting next to me. In the seat ahead of us was a lady from Brazil, apparently living in France. In front of her was a darker-skinned woman also living in France. Across the aisle sat a Spaniard. And behind him was a girl — I don’t know where she was from.
On the highway, you could start to feel wind inside the bus. I was quietly amused when I saw the French woman take off layers down to a T-shirt after she had sat beside me. Someone on the bus had left a window open or opened one. For a moment, nobody knew where the draft was coming from. It was still dark outside. It turned out to be a roof window, with cold air blowing directly into someone’s face.
First, a discussion started in English about where the wind was coming from. The French woman asked what was happening. I said that the roof window was open. The Spaniard tried to close it. But meanwhile, the lady who had become friendly with the Brazilian woman passionately insisted that he should leave the window open. Her reasoning was that the bus needed fresh air.
Everyone seemed quite surprised by the confidence of that lady — that the younger generation, which all of us were, were complaining about the cold, while the older woman saw it only as fresh air.
Maybe she did not realize that icy wind was blowing directly into someone’s face. She was sitting in the seat in front of the window. Of course, the French woman immediately put her jacket back on and was probably covering herself with a scarf as well.
To me, the whole situation was almost comical. When the bus was moving fast and smoothly on the highway, you could really feel it on your body and face. After a while, the Spaniard threw his jacket directly over his face. I started wondering whether my own face was freezing too, while laughing at the sight of the Spaniard with his winter jacket draped over his head. This weird situation reminded me the movie Dumb and Dumber, where these idiots ride through freezing weather across America on a tiny motorbike and end up frostbitten. I thought to myself, “That’s going to be us in a minute…”
The girl sitting behind the Spaniard finally couldn’t take it anymore and asked us whether the window really had to stay open, or what was going on. Spaniard said that he was closing the window, but the lady wished it to remain open. Once the girl said that, the Spaniard silently stood up to that older lady. He went to close the window again.
This time, the older lady did not object.
Across all those languages — French, Portuguese, Spanish, maybe Irish, Czech language I know, and others — we managed to communicate on the bus in one language. If someone had not known that language, they would have been lost when it came to solving problems on the bus.
2026-04-14
EDM 2018 as the Peak of One Era and the Changes After the Pandemic
Because of my relationship with techno music for instance, some people may be surprised by my attitude. But I also like EDM, Martin Garrix (Garrix also brought my person to Dua Lipa because his collaborations with Dua Lipa), Alesso, or MATTN from the female DJs for example.
What saddens me is that many things changed after the pandemic. To this day, I regret that I did not visit Tomorrowland in 2018. I see it as the peak point for EDM, and also the peak point of the time when EDM was dominant at Tomorrowland. Attendance was also at its peak.
Honestly, I am not very enthusiastic about the fact that Tomorrowland became something else after the pandemic. And EDM gave way out. It may be a case for sociologists to explain why. In practice, I no longer have much interest in visiting Tomorrowland. I wanted to experience the EDM atmosphere and community there, and that time is gone…
Drum and bass is also visible at Tomorrowland today. In the past, it was mainly the Belgian Netsky at a Belgian festival who stood out. I like Netsky. Although there may now be people performing at Tomorrowland from DnB whom I personally like, I still do not like that DnB is now common at Tomorrowland. I do not like it in relation to the EDM community and to the experiences I may never have had.
When I look at the changes at Liquicity Festival, in my opinion it is similar. 2022 was the break point, after which what came next is no longer something that attracts me. I also see some similar reasons there as at Liquicity for why the changes happened. But at Tomorrowland among these reasons is not a person :D
2018 as a Symbol of the Peak
The year 2018 can be seen as one of the strongest moments in Tomorrowland’s history. At that time, the festival benefited from the peak of EDM popularity, massive international interest, and an atmosphere that had been building throughout the previous decade. Mainstage culture, festival anthems, big melodies, and euphoric moments were still at the center of the festival’s identity.
At that time, Tomorrowland did not represent only a music event, but also a cultural phenomenon. For many fans, it meant a place where the global EDM community came together. That is exactly why, for many people, 2018 is associated with a feeling of the peak — not only in production, but also emotionally.
EDM as the Dominant Identity of the Festival
In the pre-pandemic period, for years EDM at Tomorrowland was perceived as the main language of the festival. Progressive house, big room, and the festival sound defined the character of the main stages and the overall image of the event. Names such as Martin Garrix, Alesso, Hardwell, or Dimitri Vegas & Like Mike were symbols of that era.
That does not mean that other genres did not exist. Tomorrowland was always musically broader. The difference was in what formed its dominant identity and what most people automatically associated with the festival.
Changes After the Pandemic
After the pandemic, festival culture changed, and Tomorrowland changed with it. Styles such as techno, afro house, tech house, or harder modern directions of electronic music, including neurofunk gained more space. If someone longed to experience the atmosphere of the peak EDM era, they may feel that they will never experience it now.
EDM 2018… Both weekends were sold out in about an hour. With a capacity of around 400,000 visitors across two weekends, the festival was already fully established as the biggest EDM event in the world.


