Endless Dreams 2026

“Then a person starts thinking about existence. This is where the world begins.” 

 

 Somewhere, spring is starting, and somewhere else, autumn is approaching. Somewhere it’s summer, and somewhere it’s winter. It’s like Europe and Australia: The world on this planet itself is so vast that the seasons are not the same everywhere. 

Recently, 

Sidney SN released Happs. The “happs” is within him. And so Sidney SN is here with the 

 Endless Dreams.  

Sometimes music captures everything exactly. I listen something, and I know precisely what I mean. Sometimes I think that music (for me, tech-house, progressive, trance, liquid DnB, hip hop, New Retro Wave and different music) itself should be the answer—and if someone doesn’t understand it, then they don’t understand anything that’s being said.  

But the World is too vast to be expressed by a single idea. Existence requires structures that don’t come from just one source...

  01. See the Ocean - a intro

  02. Bob x Subwave - Wait For Me

  03. Etherwood - Caliban

  04. Flava D - Womb Machine

  05. Y-Zer - 3rd Eye Lies

  06. Business As Usual & Liv Campbell - Light

  07. Alexvnder - What Do I Love

  08. [KSR] Dogger - Sweet Jungle

  09. Nymfo & Riya - Something Tells Me

 10. Bop & Unquote - Drifting Away

 11. Boxplot Remix - Leap Year Gal

 12. Fred V feat. Lottie Jones - Homesick

 13. Silence Groove, Arp Nova - Mauve

 14. SOLAH - Love For Me Too

 15. Lucidity- No More Tears

 16. LENS - Feels Like

 17. In:Most - Spectre

 18. Big Lou, Y-Zer - Glam & Glitter

      

        “These styles focus on melodic builds and smooth evolution rather than big drops.”

 Who is Miss Monique?

  I found myself wondering why I’d even make a post about Miss Monique. Then I thought—what if this were 11 or 12 years ago? What would I have said about Miss Monique back then?

A progressive stream by a DJ I’d never heard of appeared on YouTube. Her music made me feel something immediately—melodic, flowing in a really engaging way.

Miss Monique 2016

I remember being drawn to how colorful it felt. I was listening to streams from Ukrainian Radio Intense. Her name is Miss Monique.

It must have been around the time of the war in Donbas. Back then, I remember being somewhat naive about it all, even surprised by who Miss Monique was. But those Radio Intense streams had a certain atmosphere—they stood out.

Today, of course, many more people know Miss Monique. Miss Monique doesn’t really need an introduction anymore… Miss Monique is a Ukrainian progressive producer and DJ, now recognized all over the world.

Electric, Biosphere, Loona, Raindrop, Timelapse, Means To An End, Concorde, Eros, I need U, Miss Monique Remix of Yang, etc. I like this music. 

 This post came from spending a few days listening to Miss Monique music again on Spotify. What surprised me was that she still creates the same kind of sound I used to search for 11, 12 years ago on YouTube. That feeling hasn’t changed—and that made me genuinely happy.

In what Ukraine represents today; It holds onto something not everyone once expected from it. Ukraine is strong. 

The Dutch CCTV

 I had an arguments about why the Netherlands is a pretty friendly country and seems to be safe.

  Yet, 

the fact that the atmosphere in the Netherlands often feels more relaxed: 

 Dutch cities also tend to have CCTV networks, integrated with AI-based monitoring and real-time alert systems, and you can be everywhere immediately warned by police through loudspeakers on the street or in a park about your behavior without any intermediary.

Once, for example, I experienced a situation where someone who was trying to have a “picnic” in a Dutch park was warned over the police loudspeaker. It was quite a shock, because in other parts of the same park man can clearly see people sitting on benches and for example they smoking a joint, since THC is legal in the Netherlands. But this particular area is more nature protected.

Another example is this experience where a Czech bus drivers tried to enter the Maastunnel in Rotterdam, and they were immediately warned over the loudspeaker by police and given instructions to back out of the tunnel entrance. People in the cars near the tunnel were quite surprised by the event. The yellow bus had to turn around in the bend of cars in front of the tunnel. Traffic into the Maastunnel was blocked because of it. At first, I was surprised that the bus drivers didn’t know where to go in Rotterdam towards Centraal Station, and then that they drove into a Maastunnel meant for cars, which caused the incident. In the end, though, I couldn’t help laughing at the confusion they caused and how they were being instructed over the loudspeakers by police, they were shocked because this immediately CCTV system and loudspeakers itself. It was such a typical “Czech” decision to “just cut it off there and see what happens”. The bus drivers probably didn’t know about CCTV networks in Rotterdam and police loudspeakers which a one can find all over Rotterdam. The truth is, it was crazy to want to go into a tunnel with passenger cars.