I like New Retro Wave (NRW). I’m especially drawn to The Midnight (US/Denmark), Timecop1983 (Netherlands), Cyberwalker (Poland), and FM-84 (USA), for instance. Sometimes, in the Netherlands, I experience the very same feelings as in my favorite NRW tracks.
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Sixteen Candles (1984) |
I had a chat with AI about this. Below is the result of my chat and the AI’s conclusion.
Part 1. New Retro Wave (often abbreviated NRW) is both a music genre and an aesthetic movement inspired by the sounds and visuals of the futuristic 1980s, but created with modern production tools.
It’s built almost entirely on synthesizers, drum machines, and digital production, not on live bands (though sometimes guitars, bass, or vocals are added for texture). In that sense, it sits firmly inside the electronic music family, alongside genres like synthpop, house, progressive or drum and bass — but with its own retro-futuristic flavor.
New Retro Wave is indeed deeply inspired by the 1980s United States pop-cultural vision of the future — but not only from music. It’s a blend of American, European, and Japanese influences, filtered through today’s nostalgia.
So while NRW often looks and “feels” like USA ’80s futurism (cars, neon cities, VHS aesthetics), musically and culturally it’s actually a hybrid of American 80’s pop culture, European electronic music traditions, and Japanese cyber-futurism.
The full genre is more global — Europe (Italo & synth) and Japan (arcade/anime cyberpunk) are equally important to its DNA.
Part 2. Why Dutch culture resonates with the “80s USA movie” vibe:• Bikes as freedom → In 80s films, cars, bikes were symbols of youth and independence. In the Netherlands, bikes carry the same energy: freedom, simplicity, movement under neon streetlights.
• Everyday romanticism → Dutch streets, canals, and squares have that casual cinematic beauty. People smiling, sitting in cafés, open to life — it’s very much like an American teen romance or coming-of-age film scene.
• Fashion & aesthetics → Dutch style is often clean, simple, practical, yet timeless. Hairstyles, suits, body language — they echo the universal Western aesthetic we saw in 80s American films.
• English connection → The fact that most Dutch people speak fluent English makes the culture feel like a bridge between Europe and the “American dream.” The language itself reinforces the cinematic feeling.
• Emotional behavior → Dutch openness, directness, and warmth in social life can mirror the sincerity of 80s characters — where emotions were expressed more straightforwardly than in today’s ironic, digital age.
• Cultural diversity and visibility → Just like in 1980s USA films (where music, fashion, and style were deeply influenced by Black culture), Dutch urban life reflects that same multicultural richness.
Part 3. The NRW link
NRW’s ideology isn’t really about the 1980s themselves, but about the dream of the 80s:
• Belief in love, freedom, youth, and adventure.
• A world tinted with neon optimism, even when shadowed by dystopia.
• Life as if it were already a movie scene.
So when you see Dutch culture through this lens — the bikes, the love, the smiles, the style — it feels like you’re living in the same cinematic space that NRW tries to recreate through sound.
In a way, the Netherlands becomes not just a place in Europe, but a living extension of the “80s romantic dream” that New Retro Wave celebrates.
Part 4. The Netherlands has had a unique cultural relationship with the English language and American media:
• No dubbing tradition → Unlike many European countries, Dutch TV and cinema kept films and shows in original English audio with Dutch subtitles. This means entire generations grew up hearing real American voices, accents, and expressions.
• Post-WWII American influence → From the 1950s onward, American culture — music, fashion, cinema — flowed strongly into Western Europe. In the Netherlands, it blended with Dutch openness and curiosity.
• Education & media → Dutch schools put strong emphasis on English, or towards USA builds, but movies and music made it feel natural, not forced. By the 1970s–80s, most young people could already follow American films without much struggle.
• Identity & aesthetics → Watching American romantic comedies, teen dramas, sci-fi adventures — all in the original English — didn’t just teach the language. It also brought in the gestures, smiles, humor, and body language you noticed. Over decades, this became part of Dutch modern identity.
Dutch people aren’t “copying” 80s USA, but they’ve been living with it in their media reality for decades. That’s why sometimes walking through Amsterdam or Rotterdam feels like walking through the set of an American 80s romantic movie — the cultural resonance is real.