2026-11-05

Rock The Discotheque – a journey through Progressive music

 Yeah, yeah. 

Another Sidney SN mix is here...

 This time, it’s Rock The Discotheque – a journey through Progressive music.

Simply put, I love this kind of music. It constantly takes me back to vibrant moments and some of my favorite places. Whenever I play one of these tracks, I’m instantly transported back to those places, reliving those moments all over again.

Rock The Discotheque is all about positive energy, uplifting vibes.

So turn it up, let the music take you there…

 Welcome to Rock The Discotheque! 


Tracklist:

01. Golden Reflection by Lumidelic
02. Staring at the Sun by Sunlight Project
03. Thank You by Alex H
04. Skybound Dreams by Andrew Frenir & Lumidelic
05. Magic Garden by Lumidelic (2018 Rework)
06. Only You by James Lowndes & Paul Lowndes (Alex H Remix)
07. Inaccessible Worlds by Beatstole
08. Starman by Gregory Esayan (David Broaders Remix)
09. Hummingbird by Panama & Antrac
10. Pressure Point by Universal Solution (Mcvinski Remix)
11. Glimpse by Rhea Silvia (What I Feels Like)

2026-11-04

Rotterdam -> Erasmusbrug

 A Monumental Landmark in the Flat Landscape of the Netherlands

 Sometimes I mention Erasmusbrug in Rotterdam as one of the most majestic places in Western Europe. And there are reasons for that beyond its architectural beauty, its location on the Nieuwe Maas River, or its distinctive silhouette. The height of Erasmusbrug itself is also part of what makes this bridge so remarkable.

Erasmusbrug, Rotterdam

Its main pylon reaches 139 metres, making it an exceptional landmark in the Dutch landscape. This is particularly interesting when we consider the geography of the Netherlands, a country known for its predominantly flat terrain.

The highest natural point in the European Netherlands is Vaalserberg, reaching approximately 322 metres above sea level. It is located in the southernmost part of the country, close to the borders with Germany and Belgium, where the landscape gradually becomes more hilly. Outside this region, the Netherlands is largely characterised by lowlands, dunes and relatively modest elevations.

What makes Erasmusbrug particularly striking is that its 139-metre pylon rises above virtually all the natural hills and elevated terrain elsewhere in the Netherlands. In this sense, it is a dominant vertical landmark in a country where such impressive natural elevations are relatively rare.

There is another interesting detail when you actually walk across the bridge. Its highest point is approximately 17 metres above the water. Although this is considerably lower than the main pylon, reaching the top of the bridge involves a noticeable ascent. The difference in elevation from the riverbank is roughly comparable to climbing four or five floors of a building.

Additional interesting facts: 

Total length: 802 m 
Main span: 284 m 
Bridge width: 33.8 m

This gives Erasmusbrug another dimension beyond its architectural significance. It is not simply a bridge connecting two parts of Rotterdam. It is a remarkable vertical structure in an otherwise predominantly flat landscape, and one of the reasons why the Rotterdam skyline feels so distinctive.

For me, Erasmusbrug remains much more than a piece of infrastructure. It is one of those places where architecture, geography and one of the important characters of the beautiful city come together.

2026-11-01

Sidney SN Music


 SIDNEY SN Drum And Bass


01. For A Better World 2017

 SIDNEY SN Progressive/House



2026-10-19

The European Roots of a Holiday Made Famous by America 👻

 Halloween

 I am probably not the only person who enjoys Halloween. Like many others, I embrace the spooky atmosphere of this time of year, which Europeans primarily associate with the United States, where Halloween has become a regular part of the annual autumn celebrations.

For me, American horror films are also an inseparable part of this season. I often watch these films from the 1990s, whose cinematography has a special appeal for me. After all, American film and television productions from the 1990s were part of my childhood and adolescence, much like Cartoon Network or MTV. Many American horror franchises that continue to produce new installments also have their roots in the 1990s, such as Scream.

I cannot help noticing certain elements of 1990s America also in the Netherlands, whether in architectural features, urban planning or fashion and personal appearance. In my opinion, however, the Netherlands has a way of adopting foreign cultural influences on its own terms and integrating into its society primarily those elements it considers beneficial. And American influence is far from the only example.

Dutch people also once colonised parts of America, so some symbols in the USA can have Dutch cultural origins as well.

Perhaps, like me, some people will be surprised to learn that Halloween did not actually originate in America. Its roots lie in Europe, specifically in ancient Celtic traditions that evolved over the centuries and became intertwined with Christian holidays. Only later did Halloween make its way to North America, where it acquired the form Europeans recognise from American films, television programmes and the widespread celebration of the holiday.

One of the most important historical predecessors of Halloween was the Celtic festival of Samhain, celebrated around the turn of October and November. Its traditions are associated primarily with Ireland and other areas inhabited by Celtic communities.

Samhain marked the transition between the harvest season and the darker part of the year. At a time when life depended much more heavily on non-industrialised agriculture and food supplies, the arrival of winter naturally carried great significance. It was not merely a change of season, but also a period of uncertainty, when people faced cold weather, a lack of daylight and other challenging conditions.

Over time, ideas about the supernatural world also became associated with this festival. According to traditional beliefs, the boundary between the world of the living and the dead could become blurred during this transitional period. Folk tales featured ghosts, supernatural beings and other mysterious forces.

It is precisely this association between autumn, darkness, death and the unknown that helps explain why ghosts, skeletons, witches and other spooky motifs appear in later forms of Halloween. It is important to add, however, that modern Halloween cannot be regarded as an unchanged continuation of a single ancient festival. Its character developed gradually, and the original Celtic customs are known only through limited historical sources.

Christianity also played a significant role in shaping modern Halloween.

The first of November is associated with All Saints’ Day, while the second of November is All Souls’ Day. The evening before All Saints’ Day was known in English as All Hallows’ Eve. It was from this expression that the name Halloween gradually developed…

Over the centuries, older folk traditions and Christian holidays influenced one another. Halloween therefore cannot simply be classified as either a pagan or a Christian holiday. It is the result of a long process of cultural development in which different ideas about death, remembrance of the deceased and the supernatural world became intertwined.

One of Halloween’s most recognisable symbols is the orange pumpkin carved with a face and illuminated by a candle inside. However, this tradition did not originally originate in the United States either.

In Ireland, people primarily used hollowed-out turnips and other root vegetables, carving spooky faces into them. This custom is also associated with the folk legend of Stingy Jack, who, according to the story, tricked the Devil and, after his death, was forced to wander the world carrying an ember inside a hollowed-out turnip that served as his lantern.

When Irish and Scottish immigrants brought their customs to North America, they also began using pumpkins. These were larger and easier to hollow out. Gradually, pumpkins became one of the most distinctive symbols of Halloween.

During the nineteenth century, large numbers of Irish immigrants arrived in North America, partly as a result of the catastrophic famine in Ireland. They brought their cultural traditions, folk tales and customs associated with autumn celebrations with them.

In their new environment, these traditions continued to evolve. Dressing up in costumes, visiting people’s homes and other social activities gradually became more widespread. During the twentieth century, Halloween in the United States increasingly developed into a mass celebration, featuring children’s trick-or-treating, house decorations, costume parties and the sale of themed sweets.

2026-10-18

Gender Equality in France: Second Place in the European Union

 Recently, I have written an articles about France, which came about quite spontaneously—especially about beauty of Grand Est, and also about French culture of protests or situation in Marseille. 

This time, next article is focuses on gender equality in France. According to the official Gender Equality Index 2025 published by the European Institute for Gender Equality (EIGE), France ranked second in the European Union, just behind Sweden. Denmark took third place.

I also find this topic interesting because some people claim that France is not doing as well, among others also due to the presence of people originating from countries outside the European Union. However, the results of the Gender Equality Index do not particularly support such a simplified views. Instead, the situation appears to have improved considerably over the past decade.

It is also interesting for me that some countries with a lower proportion of residents originating from outside the EU do not achieve scores as high in this index as countries where people from these regions are an established part of society.

Gender Equality Index

The Gender Equality Index is a tool developed by the European Institute for Gender Equality that compares European Union member states across six main domains: work, money, knowledge, time, power and decision-making, and health.

It is therefore not limited to women’s representation in politics or differences in pay. The index seeks to capture a broader picture of the social position of women and men, their economic opportunities, access to decision-making positions, and the conditions of everyday life.

The resulting scores make it possible to compare individual member states using a common methodology.

 France in the European Comparison

France achieved a score of 73.4 points out of 100 in the Gender Equality Index 2025. Sweden, which ranked first, scored 73.7 points. The difference between the two countries is therefore just 0.3 points. Denmark, in third place, achieved 71.8 points. The European Union average was 63.4 points.

France’s score is ten points higher than the European average. This demonstrates that the country belongs to the group of member states achieving significantly above-average results in the overall assessment.

The long-term trend is also noteworthy. Since 2015, France’s score has increased from 64.1 to 73.4 points. Over this period, France therefore recorded an improvement of 9.3 points.

The Gender Equality Index 2025 thus offers another interesting perspective on contemporary France, this time through measurable results in the field of gender equality.